Design Philosophy

After a lot of thinking and learning, studying projects on the Internet, talking with other people, listening to some equipment, I came up with a little list of how I think a DAC should be designed. This is just what I think, and this is not necessarily what others think. No fuss. This is my website after all.

There should be a Douglas Self statue in the Museum of Audio. This man is the inventor of the Blameless amplifier : an amplifier where the designer does not try to invent fancy new things, but instead tries to avoid all the known errors of the past. The resulting topology is elegant and simple, not more complicated that one with a lot more distortion. I never heard a Blameless amp, and I don't think much of THD measurements, but this man has a very cool message to pass : sometimes it is simpler to do it right.

So why not try to make a Blameless DAC ? First, let's list all the known errors to avoid, and their causes. Most commercial designs fail on the majority of these points.

The list is pretty long. However, most of these errors are not that hard to avoid, and it is possible to avoid whole class of errors by simple measures, like clock injection and good layout. Nonetheless, most commercial (and DIY) projects often pay a lot of attention to a few points (typicaly the output stage) but fail to consider the other errors.

Therefore, here is the design philosophy I will use for this DAC :

A friend, Didier, showed me his Audio Note DAC. Non-Oversampling, tube output, a huge, expensive thing. It had its own sonic coloration (a warm, very pleasant one), but apart from that, it really made music. It had a natural, simple way of showing how it was right and all the others were wrong. Thus, I also want this DAC to be non-oversampling.


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